Leprechaun: Origins (2014)


USA. 2014.


Director – Zach Lipovsky, Screenplay – Harris Wilkinson, Producers – Mark Amin, Michael J. Luisi & Cami Winikoff, Photography – Mahlon Todd Williams, Music – Jeff Tymoschuk, Visual Effects – Anthem Visual Effects (Supervisor – Lee Wilson), Special Effects Supervisor – Wayne Szybunka, Makeup Effects – Lindala Schminken FX (Supervisor – Jarrett P. Mass), Production Design – Troy Hansen. Production Company – WWE Studios


Stephanie Bennett (Sophie), Andrew Dunbar (Ben), Brendan Fletcher (David), Melissa Roxburgh (Jeni), Garry Chalk (Hamish McConley), Teach Grant (Sean McConley), Dylan “Hornswoggle” Postl (The Leprechaun), Mary Black (Mary)


Two couples arrive in a village in rural Ireland on a backpacking tour. In the village pub, Hamish persuades them to detour to see a nearby sight. Instead, he locks them inside a farmhouse where they discover that they have been intended as a sacrifice to a leprechaun. As becomes apparent, the villagers have taken the leprechaun’s gold and are appeasing it with a string of sacrifices of passers-by. As the leprechaun comes after them, a furious struggle for their lives begins.

Leprechaun: Origins is another entry in the Leprechaun series. This began with the cheaply entertaining Leprechaun (1993), starring 3’6″ foot actor Warwick Davis as a malevolent leprechaun. This was quickly spun out into a series with Davis becoming a Freddy Krueger-like monster devising fiendish deaths for a parade of victims and in swift progression we saw Leprechaun 2/One Wedding and Lots of Funerals (1994), Leprechaun 3 (1995) and Leprechaun 4: Leprechaun in Space (1996). The series was then revived with Leprechaun in the Hood (2000), which bizarrely threw Davis’s leprechaun in amidst a rap/ghetto environment, and this too led to a sequel with Leprechaun: Back 2 tha Hood (2003).

The surprise that makes you do a double-take is that this revival of the Leprechaun series is produced by WWE Studios, a production company arm of the WWE tv wrestling leviathan. They have made several films as vehicles for popular wrestlers – see the likes of The Marine (2006), 12 Rounds (2009) and The Reunion (2011) starring John Cena, See No Evil (2006) and sequel starring Kane, The Condemned (2007) with Stone Cold Steve Austin, Knucklehead (2010) with The Big Show and Inside Out (2011) with Triple H. In this case, Leprechaun: Origins has been made as a vehicle for Dylan Postl, a 4’5″ wrestler who goes by the moniker Hornswoggle where he has played various roles in the WWE including appearing as a leprechaun and Vince McMahon’s illegitimate son and has fought other small-size wrestlers.

When approaching Leprechaun: Origins, it is best to try and forget everything about the 1992 film and any of it sequels. The original Leprechaun films featured Warwick Davis as a malicious figure, evilly cackling as he devised nasty effects-driven fates for victims. The leprechaun now has no dialogue; in fact, we don’t even get to see any of its features, which are only kept hidden and briefly glimpsed. There is a theme about it exacting revenge from the villagers in terms of a demand for human sacrifice but there is no sense of it devising nasty fates for each of the victims; now it is more of a rampaging monster – indeed, it would be entirely possible to write the word leprechaun out of the film and transplant everything else to rural backwoods America and not change the film one iota. There is also a completely new aspect about the leprechaun not being able to move beyond the standing stones placed around the immediate area – something that would have surely obviated the other films, which all take place outside of Ireland (even if the Ireland we see here has been shot in Canada). The other complaint might be the title Leprechaun: Origins, which is meaningless, as we get nothing that could be even vaguely construed as relating to the origin of The Leprechaun. Indeed, beyond the title, it is hard to see how this and the Leprechaun films featuring Warwick Davis are even connected.

The other important difference is that the original Leprechaun films were horror comedies in the campy one-liner spouting boogeyman model patented by the A Nightmare on Elm Street films. By contrast, Leprechaun: Origins takes itself seriously. As a result, it works as far more of a survival horror film with the teen victims on the run pursued by a monster. The gore effects are fairly tame, especially in comparison to the cheesy makeup effects set-pieces that drove the 1990s originals, although there is one full-on effect where the leprechaun tears out Andrew Dunbar’s spinal column.

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