Theme: French Cinema

The history of French Cinema is the history of the beginnings of cinema – from the very first films made by the Lumiere Brothers, which screened in Paris in 1895, to some of the first science-fiction and fantasy films by Georges Melies who pioneered most of the major special effects techniques.

France has produced a steady stream of films since. Its next major wave of genre output came during the French New Wave of the 1950s and 60s, which produced a series of experimental films that broke with Hollywood narrative and technique, creating a series of surrealistic, sometimes extraordinary, often baffling and pseudo-intellectual works.

France has its steady output of films that are light comedies, popular thrillers and action films, as well as a strong output of drama and independent works that usually defy a Hollywood norm. From the 1980s onwards, one of the major producers of genre cinema has come from Luc Besson who operates in the action, science-fiction and fantasy genres.

The other major intersection with genre material came during the so-called French Extremism movement of the mid-late 2000s involving a series of horror films that pushed gore, sadism and blood-letting to unbearably brutal levels.

Regular genre contributors from France include Alexandra Aja, Olivier Assayas, Enki Bilal, Alexandre Bustillo, Leos Carax, Marc Caro, Helene Cattet, Sylvain Chomet, Rene Clair, Jean Cocteau, Marina de Van, Claire Denis, Julia Ducournau, Quentin Dupieux, Bruno Forzani, Abel Gance, Christophe Gans, Xavier Gens, Jean-Luc Godard, Michel Gondry, Jean-Pierre Jeunet, Mathieu Kassovitz, Rene Laloux, Pascal Laugier, Louis Malle, Chris Marker, Julien Maury, Georges Melies, Dominik Moll, David Moreau, Gaspar Noe, Michel Ocelot, Francois Ozon, Xavier Palud, Pitof, Thierry Poiraud, Jean-Marie Poire, Jean Renoir, Alain Resnais, Jean Rollin and Roger Vadim.