Theme: Psycho-Thrillers

The Psycho-thriller has been used as an umbrella term in older genre studies to refer to any horror film where the menace is not supernatural or science-fictional and is mundane in nature. The menace of such shows are commonly Psychos and Serial Killers, although not all psycho-thrillers necessarily feature psychos.

Psycho-thrillers can be murder mysteries – stories that build up to the revelation of who among a group is the killer – where there is more emphasis on the murders and stalking. Others take the structure of a Gothic novel where a protagonist may be at the centre of a series of happenings that unveil in terms of elaborate deception and gaslight schemes, where there is an emphasis on the suspense and horror elements.

The psycho-thriller began on screen in the 1920s as part of the Old Dark House thriller. Its greatest flourishing was in the 1960s with the success of Psycho (1960), which saw a number of copycat films about killers with gender-conflicted issues. Many of the copies draw on the earlier French classic Les Diaboliques (1955) in their creation of elaborate (frequently improbably contrived) plots involving schemes to kill, defraud or drive the protagonist insane. A unique subset of these were the Italian Giallo thrillers that offered up psycho-thrillers plots with an emphasis on extravagant visuals, sado-sexual eroticism and ultra-violent despatches.

The 1980s brought a series of thrillers about female stalkers with Fatal Attraction (1987) and several other works with people having their homes and workplaces invaded by disturbed individuals. In the 1990s, Basic Instinct (1992) brought the psycho-sexual thriller where there was much emphasis on eroticism and usually a desirable but psychopathic Femme Fatale at the centre.

Since the mid-2000s, the psycho-thriller has largely died away as a genre in theatrically-released films, although is still alive and well in numerous thrillers made for cable tv.