Town in Thrall to a Satanistevil-altar-19881988A low-budget 80s film about a town where the locals are in thrall to a Satanist who has demanded the souls of 103 children
Black Magician's Resurrection/H.P. Lovecraft Adaptationresurrected-19921992Alien scripter Dan O’Bannon jumps aboard the 80s/early 90s fad for H.P. Lovecraft adaptations is this directorial outing that eventually develops quite reasonable effect
Post-Holocaust Cyborgsamerican-cyborg-steel-warrior-19921992A routine post-apocalyptic action film with Nicole Hansen as the last fertile woman on the run hunted by killer cyborgs while being protected by Joe Lara
H.P. Lovecraft Anthologynecronomicon-19931993Anthology of three H.P. Lovecraft tales from directors Christophe Gans, Brian Yuzna and Shusuke Kaneko. For claiming such a quintessentially Lovecraftian title as this, you feel that it should have been more than it is
Cop vs Satanic Avatar/Actionhellbound-19931993Hysterically bad film where Chuck Norris turns one-man fighting machine and goes all out to save the world from the Anti-Christ calling down the Armageddon
Mutant Ticksticks-19931993Routine variant on the 1970s killer bug film, although the bugs here are gooey and cartoonish not meant to be taken seriously
Baby Dinosaursprehysteria-2-19941994The second and worst of Albert and Charles Band's dinosaur films made for children, this suffers from the most pitiful and immobile effects of any film of the era
Baby Dinosaursprehysteria-3-19951995The third and probably the best of the children's dinosaur films from Charles Band where the pitiful effects are at least compensated for by an eccentric sense of humour
Shape-Changing Alien Petspet-shop-19951995A painfully bad Charles Band production for children about a strange couple that set up a pet shop selling alien creatures
Interdimensional Combat/Videogame Adaptationmortal-kombat-annihilation-19971997Sequel to the Mortal Kombat film. While the first film was fun, here anything resembling plot has been stripped away to concentrate on fight scenes slung together in the most linear way possible such that the film blurs into a single shapeless action sequence
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