Zombie Filmnight-of-the-living-dead-resurrection-20122012This jumps aboard the zombie bandwagon borrowing the title of George Romero’s classic but has almost nothing in common with it
Haunted Asylum/Occult Sacrificesamityville-asylum-20132013Another of the unofficial sequels that bear slim to no resemblance to the Amityville Horror hoax. This is a cheaply made and not terribly scary British effort set in a asylum supposedly built on the site of the Amityville house
Evil Dollrobert-the-doll-20152015A low-budget film about an evil doll that was made not long after Annabelle came out and boasting a similar Based on a True Story claim. Four sequels have followed
Haunted Houselast-house-on-cemetery-lane-20152015Haunted house film from Andrew Jones, who has proven a prolific British genre director in recent years. Jones makes an okay but very low key film – the spookiest it ever gets is a phantom record player – although things are lifted by a modestly effective M. Shyamalan-esque twist
Possession and Exorcism/"True Story"exorcism-of-anna-ecklund-20162016Low-budget possession and exorcism supposedly based on a true story that cycles through most of the tropes of the genre. An earlier version of the same "true-life" possession depicted in The Ritual
True Crime/Home Invasioncabin-28-20172017A true crime film based on an unsolved home invasion in California in 1981 that left four for dead. From prolific British director Andrew Jones
Nazi Werewolf Experimentswerewolves-of-the-third-reich-20172017I was hooked into watching the film from the sensationalism from the title but this is a disappointment due to the attempts to provide World War II setting and werewolf transformation effects on a low budget
Toymaker Brings Dolls to Lifetoymaker-20172017The third of the Robert the Doll films. Here Andrew Jones takes a few leaves from the Puppet Master films in creating an origin story set during the Nazi era
Genetically-Engineered Dinosaur Amokjurassic-predator-20182018Rather good British-made low-budget take on Jurassic Park, which conducts its variation with an undeniable sense of humour. One of the better films from low-budget director Andrew Jones
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