Grey Skies: The Alien Conspiracy (2001) poster

Grey Skies: The Alien Conspiracy (2001)


USA. 2001.

Production Company – Brimstone Productions


CrewDirector/Screenplay – Thomas Nondorf, Photography/Music – Steve Maruzzelli.
CastThomas Nondorf (Gonzalez), Autumn Lucas (Ella Bowe), Jeremy Segal (Kremins), Nathan King (Greydon), Meredith Levers (Receptionist)


CrewDirector/Screenplay/Producer – Kevin J. Lindenmuth, Photography – T. Ranstill, Music – Picture Mommy Dead, Saucer Effects – Brett Piper, Morph Alien – Monique Lemieux, Grey Aliens – Brimstone Productions & Darkside Studios.
CastNathan King (Danny)

The Not-So-Grim Reaper

CrewDirector/Screenplay/Producer/Music – Les Sekely, Photography – Gary A. Rainer, Makeup Effects – David Patrick.
CastLes Sekely (The Grim Reaper), Michael Lundy (Interviewer), John Griggs (Dark Ages Man), Carol Metcalf (Dark Ages Woman), Russell Towne (Heart Attack Guy), Kathryn Glass (Hit By Car Girl)


Interviews:- Gonzalez applies for jobs within the biotech industry only to find that a number of his interviewers are not quite human. Abduction:- Danny, the son of two parents involved in the alien resistance, returns to town only to find that everybody has disappeared. The Not-So-Grim Reaper:- Aliens probe the mind of a man shattered by tragedy to try to understand humanity’s fear of death. They watch as the man interviews a jovial Grim Reaper about his job.

Grey Skies: The Alien Conspiracy is the first in a trilogy of films from Kevin J. Lindenmuth’s Brimstone Productions, The Alien Conspiracy trilogy. This is a follow-on from Brimstone’s The Alien Agenda series, which included the excellent The Alien Agenda: Out of the Darkness (1996) and the variably good The Alien Agenda: Endangered Species (1997) and The Alien Agenda: Under the Skin (1997). In both trilogies, Kevin Lindenmuth brought together and united similar works on a theme from other low-budget filmmakers. The alien invasion theme was only a loose framework in The Alien Agenda series, although Lindenmuth assures that The Alien Conspiracy series is much more conceptually ordered with all three episodes here continuing throughout the other two films Time Enough: The Alien Conspiracy (2001) and Beyond the Lost World: The Alien Conspiracy (2002).

The first piece is the hilarious Interviews. The episode hits a wonderfully akilter sense of humour, not unakin to a recurring nightmare, in which a job applicant played by the episode’s director/writer/producer Thomas Nondorf keeps finding the people interviewing him are not entirely human – from the secretary who blankly glares at him and whose lips don’t match the words coming from her mouth; the interviewer trying to enact the instructions on appropriate human behaviour he is getting via an earpiece which, when the hero picks it up, finds is spouting orders to kill him; to the overly friendly woman interviewer who suddenly starts leaking fluid from her elbow. The offbeat note the episode hits is a delight.

The second piece, Kevin Lindenmuth’s Abduction, is slight. The central character’s story will continue in the ensuing films but does not amount to much here. The episode begins with the hero returning to his hometown and finding everybody missing, probably due to an alien abduction. The episode seems to be building to something interesting but cuts off just as the hero is abducted by a UFO and then goes to an enigmatic repeat of the scene where he first arrives in town, but instead changes the direction he takes. Maybe this will all fit into a greater picture in the subsequent films but on its own is inconclusive filler.

The third and longest episode, The Not-So-Grim Reaper, also feels the most out of place. There is a wraparound about aliens probing a man’s brain but that only seems to be there to squeeze the piece into the alien invasion framework. In all other respects, the episode is a light-hearted spoof about The Grim Reaper and has nothing to do with aliens or invasion. The piece falls between the occasionally amusing and the frenetically trying to be funny. There is an occasionally goofily amusing image – the Grim Reaper feeding his son, a baby skeleton wrapped in a blanket, or fending off phone calls from salesmen wanting him to upgrade from a scythe to a tractor. The film indulges in some incredibly corny puns about the Grateful Dead – a line of tombstones going “Thank you, Thank you” – and Plan 9 from Outer Space (1959). By the time we get to appearances from The Easter Bunny, it gets fairly silly. Director/writer/producer Les Sekely also plays the Grim Reaper as a manically skittish character who seems to be doing all his acting with his hands.

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