Mr Peabody and the Mermaid (1948)
A Hollywood copy of the British mermaid film Miranda in which dull middle-aged William Powell fishes up capricious mermaid Ann Blyth. This has an amiable charm
The Science Fiction Horror and Fantasy Film Review
A Hollywood copy of the British mermaid film Miranda in which dull middle-aged William Powell fishes up capricious mermaid Ann Blyth. This has an amiable charm
A light whimsical short story about a daydreamer is turned into a bloated and ponderous vehicle for the musical and comedy set-pieces of the perpetually wet-eared Danny Kaye
An Abbott and Costello comedy. Not one of their monster bashes but a variant on the light comedy that had been popular in the last decade with Lou as an 18th Century ghost haunting Bud Abbott in the present. Can’t say I am a big fan of their humour, most of the slapstick that seems dated today
An early David Lean film, an adaptation of a Noel Coward play, a drawing room comedy in which a medium conjures a man’s late wife amid much malarkey and mayhem
Classic screwball comedy with Dick Powell as a journalist who becomes recipient of newspapers that predict tomorrow’s headlines
Madcap screwball comedy with Danny Kaye required to pose as his dead twin brother who is then taken over by his ghost during a trial
Amiable comedy adapted from an Oscar Wllde story with Charles Laughton as a ghost condemned to walks the family castle for his cowardice. Contains much Wartime comedy about the clash between British and American cultures
Comedy where the East Side Kids/Bowery Boys encounter Bela Lugosi running a Nazi fifth column operation from a haunted house, although the ghosts part eventually proves misleading
Charming and delightful film starring Veronica Lake as a witch burned at the stake returned in the present to make life miserable for her judge’s descendant Frederic March
Road to Morocco was the third of the Bob Hope-Bing Crosby Road films and takes them on a parody of the Arabian Nights adventure
Boris Karloff and Peter Lorre make an unexpectedly great comic pairing in this mad scientist screwball comedy that comes with an exhaustingly madcap pace
A screwball comedy with Jack Benny as a trumpeter send down from Heaven to Earth to blow the Last Trumpet who ends up getting distracted by a series of comic mishaps
The East Side Kids, a popular comedy group during the 1940s/50s, conduct a variant on the Old Dark House film featuring a sinisterly lurking Bela Lugosi … The East Side Kids’ films were made on impoverished budgets – this one of their better but still aimlessly circles around creaky and dated gags
Second sequel to Topper , the screwball light fantasy comedy about a dull man who is driven crazy by ghosts only he can see. This throws everything into an Old Dark House setting but proves there is still a good deal of droll, nonsensical humour to be found in the formula
The fourth of Abbott and Costello’s films, a knockoff of the then recent hit of the Bob Hope remake of The Cat and the Canary involving much comedic running around a supposedly haunted mansion
The 1939 Bob Hope comedy remake of The Cat and the Canary was a big hit; here he and Paulette Goddard are put through the same in what is all but a sequel. Hope is on top form again
Third entry in Universal’s Invisible Man series. Though less recognised, The Invisible Man series had a level of creativity higher than Universal’s other monster series (Frankenstein, Mummy etc) but this one plays everything for broad comedy
Old Dark House comedy set around the antics of big band leader Kay Kyser. Starring several horror names of the day – Boris Karloff, Bela Lugosi and Peter Lorre
A madcap screwball comedy in which a husband and wife swap bodies. The very first bodyswap film. From director Hal Roach who discovered Laurel and Hardy
The classic Bob Hope comedy version of the Old Dark House play. Probably overrated, this has a creaky affected atmosphere and laughs but fails to hold a candle to the far superior and more stylish silent version
British air adventure story with Ralph Richardson trying to stop an enemy armed with a raygun and all played with an appealingly eccentric comic tone
An Old Dark House comedy featuring the entirely forgotten comedy act The Ritz Brothers stumbling around an old mansion
Deliriously frothy screwball comedy with Cary Grant and Constance Bennett as to socialites killed in a crash who then haunt the car’s new owner. Several sequels followed.
Light fantasy comedy with Lucas Donat as the inheritor of a Scottish castle haunted by a ghost and the problems faced when the castle is sold to be shipped to America
A 1930s screwball comedy about the invention of a ray that can petrify people that is then used to bring statues of Greek gods to life
W.C. Fields starring screwball comedy set at a hotel around a series of variety sketches and featuring an early prediction of television
Essentially Metropolis remade as a Broadway musical, one of the first US films to depict the future
An earlier silent version of The Wizard of Oz, which twists the story considerably out of shape as a vehicle for the slapstick comedy of star Larry Semon who plays The Scarecrow