aka Amityville: The Return
Director – Richard Fleischer, Screenplay – William Wales, Producer – Stephen F. Kesten, Photography (3-D) – Fred Schuler, Music – Howard Blake, Special Effects – Jeff Jarvis & Michael Wood, Makeup Effects – John Caglione, Doug Drexler, Kevin Haney & David Smith, Art Direction – Giorgio Postiglione & Justin Scoppa Jr. Production Company – Dino De Laurentiis.
Tony Roberts (John Baxter), Tess Harper (Nancy Baxter), Candy Clark (Melanie), Lila Laughlin (Susan Baxter), Robert Joy (Elliott West)
John Baxter, an investigator of psychic frauds for an expose magazine, debunks a fake medium racket operating in the Amityville house. He then discovers the property is going cheap due to the house’s reputation and buys it, sceptical of its history. Once moved in however, he is readily pressed to find explanations as things supernatural start manifesting and people begin dying.
This is the third of the Amityville films, following on from the big success of The Amityville Horror (1979), which was based on a book that purported to tell the true story of a haunted house. Italian movie mogul Dino De Laurentiis then took over to make the first two sequels. This was the second of them and is a tawdry production with little to recommend it. De Laurentiis’s first sequel Amityville II: The Possession (1982) is a much more entertaining B movie.
Amityville 3-D was made to exploit the short-lived 1981-3 revival of the 3D fad, following the success of Comin’ at Ya (1981). Director Richard Fleischer, better known for fine genre films like 20,000 Leagues Under the Sea (1954) and Fantastic Voyage (1966), is a veteran of the original 1950s 3D fad and at least attempts to use the 3D for something more than shock effects and manages to create a certain amount of atmosphere by use of depth effect. (Although, the video and tv release where Amityville 3-D is screened flat today robs it of even these small plusses).
Nevertheless, even a long-serving director like Richard Fleischer cannot salvage the tiresome plot and seems unable to milk proceedings for any worthwhile suspense. Tony Roberts, who looks like an aging Maxwell Smart, is dogged, but Candy Clark proves the warm surprise of the piece. However, in a major miscalculation, she is disposed of before she gets the chance to become the love interest. One had hope that that the destruction of the house at the end would spare one the possibility of an Amityville IV, however the series limped on for another five films.
The have been a number of other Amityville sequels and films purporting to be sequels – Amityville II: The Possession (1982), Amityville: The Evil Escapes (1989), The Amityville Curse (1989), Amityville 1992: It’s About Time (1992), Amityville: A New Generation (1993), Amityville: Dollhouse (1996), The Amityville Haunting (2011), The Amityville Asylum (2013), Amityville Death House (2015), Amityville Playhouse (2015), The Amityville Legacy (2016), Amityville: No Escape (2016), Amityville Terror (2016), Amityville: Vanishing Point (2016), Amityville Exorcism (2017), Amityville: The Awakening (2017), The Amityville Murders (2018), The Dawn (2019), The Amityville Harvest (2020), Amityville Island (2020) and Witches of Amityville Academy (2020). The Amityville Horror (2005) was a remake of the original. There have been several documentaries Amityville 2000/The Amityville Horror: 25 Years Later (2000), The Real Amityville Horror (2005) and Amityville: The Final Testament (2010), which tried to examine what happened in the house, while the parapsychological investigation into the house is also featured in The Conjuring 2 (2016).
Richard Fleischer’s other films are:– Disney’s classic Jules Verne adaptation 20,000 Leagues Under the Sea (1954), Fantastic Voyage (1966) about a miniaturized submarine journey inside the human body, the musical version of Doctor Dolittle (1967), The Boston Strangler (1968), the psycho-thriller See No Evil/Blind Terror (1971), the true life serial killer film 10 Rillington Place (1971), the over-populated future film Soylent Green (1973) and the Robert E. Howard adaptations Conan the Destroyer (1984) and Red Sonja (1985).