The Science Fiction Horror and Fantasy Film Review
Claims to True Stories should be differentiated from the theme Biopics and True Stories. Both concern the dramatisations of events that supposedly occurred in the real world. While the subjects in true stories are covered with a general degree of accuracy, here we concern ourselves with:-
o Stories in which real world events have been substantially fictionalised
o Stories where what is being claimed as true should be regarded with a highly sceptical eye such as accounts of true-life hauntings, exorcisms and UFO/alien abduction stories
o Stories that makes untrue or unverified claims to being true stories
For a more detailed overview of the genre see the Theme Essay Films That Make Dubious Claims to Be Based on True Stories.
Another supposedly true story from the casebook of the psychic investigator frauds Ed and Lorraine Warren. James Wan’s first two entries were eerily haunting; by now, the constant profusion of effect becomes overkill that produces no results at all
A film based on what is said to be the most well-documented exorcism in US history. Al Pacino plays the exorcist
Supposedly based on a true story, a possession and exorcism film from filmmaker Lee Daniels about an African-American family undergoing a supernatural assault
Very loosely based on a real-life incident, this is an Animals Attack film about a rampaging bear wired on cocaine and makes a play for darkly funny humour
A revival of the Kirk Cameron starring Biblical End of the World films and a sequel to the Nicolas Cage starring reboot. Directed by and starring your favourite internet troll Kevin Sorbo
In the same vein as The Conjuring films, a film about a true-life Spanish team of paranormal investigators
A film based on the true-life figure of the Vatican’s official exorcist Father Gabriele Amorth this could have been great but descends into tedious hokum
The third of the Conjuring films, this lacks the presence of James Wan in the director’s seat while peddling an even more highly dubious Based on a True story claim regarding a demonic possession
The worst exorcism film ever made. A completely ridiculous Christian evangelical film about a good God-loving American family under attack by malevolent spirits emerged from a second-hand book on witchcraft! Supposedly based on a true story
Alexandre Aja makes a based on true life film with Kaya Scodeario trapped in the crawlspace under a house with alligators as floodwaters rise
A strong contender for the worst Blair Witch copy AND the worst Amityville film ever made
Another spinoff from The Conjuring films. James Wan is one of the finest horror directors of the 2010s but has had difficulty imparting his skills to the directors of the films he has produced. This feels like a fairground haunted house show of tedious and repetitive pop-up shocks that runs free of any connection to a plot
The Picnic at Hanging Rock with its hauntingly unsolved mystery is considered one of the greatest Australian films of all time; this mini-series in six one-hour parts drags every beat of the story out and pads the slim original with so many other character mini-dramas and backstories that the mystery is drowned out
Winchester House with its eccentric designs and strange history is reputedly one of America’s most haunted locales. From Australia’s Spierig Brothers who made the likes of Daybreakers and Predestination, this attempts to tell its story but emerges as far less than it could have been
Another of the recent films on the topic of sleep paralysis that one watches with the hope that it might do some justice to the topic
Western based around the idea of Jack the Ripper having relocated out West whereupon he becomes a standard slasher-styled maniac. Featuring Robert Kovacs, a dead ringer for Charles Bronson, as the hero
Ana Asensio, a Spanish immigrant, writes, directs and stars in a story about a cash-strapped Spanish immigrant who is forced to seek employment in a secret society in order to make ends meet (*)
Paco Plaza has become one of the premiere names in Spanish horror due to the [Rec] films. Here he attempts to follow in the footsteps of The Conjuring with a film based on a supposedly true supernatural incident in 90s Madrid but fails to make a terribly interesting work
James Franco co-directs and stars as a sinister psychiatrist in a 19th Century asylum who subjects patients to drugs and mind control so they can play in elaborate orgies. Supposedly based on a true-life incident but considerably embellished, this fails entirely at making its setting convincing
Xavier Gens film from the screenwriters of The Conjuring films based on a supposedly true-life exorcism. One was hoping that Gens would do amazing things with the exorcism genre but he only rehashes the same cliches
Film based on an urban legend film about a boogeyman that kills everybody that speaks its name. Director Stacy Title creates one or two haunting and unusual scenes but in every other aspect this emerges as exceedingly generic
A film that starts with the premise of teenage girls looking for a party and then going in search of a missing cellphone doesn’t do much to enthuse me. On the other hand, things pick up when the search leads them to a strange house
The possession and exorcism genre has been recycling the same cliches ever since The Exorcist in 1973. Even this film’s entirely bogus claim to be filmed in the house where the true-life event that inspired The Exorcist took place fails to make this stand out
Making claim to being based on a true story, this recounts the brutal beating and killing of a handicapped boy by three youths. More social horror than genre horror, this culminates in a horrible and not easy to watch scene
If you want a genuinely scary spook show that will make you jump out of your seat, you would not go wrong with this. On the other hand, the Conjuring films with their claims to true stories of peddle superstition and fabricate most of their so-called facts
This reverses the sympathies of films like Deliverance and The Texas Chain Saw Massacre. Rather than having people tortured by backwoods hicks, one man is forced to survive on a brutal run for his life through the more disreputable parts of L.A. while hunted by homeless.
Mickey Keating makes a Backwoods Brutality film that has borrowed a good deal from The Most Dangerous Game about a woman abducted and forced to make a survival run through the desert with her bare hands
From the acclaimed Simon Rumley comes this true crime drama about the execution of an innocent man and the supposed curse he placed on all who condemned him. This straddles an odd line between true story and a full blooded supernatural horror film but satisfies neither
Buried in a space capsule. A one-man show that takes place entirely in an orbiting space capsule with the stranded British astronaut alternately seeking aid and about to be shot down by both the US and Soviets
Low-budget possession and exorcism supposedly based on a true story that cycles through most of the tropes of the genre. An earlier version of the same “true-life” possession depicted in The Ritual
One out of some thirty odd films using the Amityville name. This concerns a girl who inherits a haunted theatre in the town of Amityville
New Zealand-made film about a trio of parapsychologists investigating a reputedly haunted farmhouse. This treads very familiar ground and ultimately suffers from a sedate approach
The Enfield Haunting is a supposedly true-life haunting that most audiences are familiar with from The Conjuring 2; this is an earlier tv mini-series treatment that is more realistically grounded
The bizarre story of a man who believes his young daughter is the reincarnation of a NASA astronaut. The film makes great claim that it is based on a true story but fails to make a compelling argument for its case
A low-budget film about an evil doll that was made not long after Annabelle came out and boasting a similar Based on a True Story claim. Four sequels have followed
Another offering from the revived Hammer Films. Like a few films of recent, this claims to be based on a true story – a parapsychological experiment conducted in the 1970s – but throws almost every detail out the window to substitute a well-worn bag of horror tricks
I can’t quite decide whether to write Scott Derrickson off or not. His supposed true-life account of a NYPD cop turned exorcist rehashes every hackneyed possession cliche the horror genre has, yet there comes a point where Derrickson starts to argue faith and the film attains an odd conviction
Someone had the bright idea to make a film centred around the creepy doll that appears in the wraparound scenes of The Conjuring. But without James Wan as director, everything disappears into formulaic scares
This starts out as a haunted house film then veers off to become a possession story. A tepid effort filled with by-the-numbers jumps that bites off a far more ambitious twist ending than it is capable of adequately delivering
A reasonably effective and spooky Found Footage film set around the unexplained phenomena at the real-life Skinwalker Ranch
Another supposedly based on a true story ghost stories, although the absurdity of plotting makes this a nonsense. The film quickly slides to the irredeemably banal without a single spooky moment
The Haunting in Connecticut was a reasonable success in the claim to being a true story ghost story stakes. This is a sequel, seemingly unaware that Connecticut and Georgia are about a thousand miles apart
Supposedly based on a true story. A film that feels written entirely by cliches taken from every other haunting and exorcism film, but you cannot deny that director James Wan generates a more than fair degree of spooky atmosphere
This has the great idea of pitting Edgar Allan Poe against a serial killer imitating his stories but instead produces a desultory murder mystery that has done only the most cursory reading about Poe and is ill-informed about the historical period
Based on the urban legend surrounding a dybbuk box that turned up on an EBay auction, although the film throws this out to conduct an utterly generic possession story. Despite the novelty of drawing on Judaic mythology, the film still trades in the same tired cliches as the Christian exorcism film
Dark Horse Entertainment film that traipses through a tired serial killer plot that comes out resembling a weak episode of CSI before a frankly unbelievable twist ending
This feels almost like Children of the Corn as remade by Terrence Malick. The film does very nicely with the wry, quietly observed naturalism of its Coming of Age story, less so when it moves over into horror territory
This is possibly the worst haunted house (or in this case apartment) film ever made. In a genre where the effect is heavily dependent on mood and atmosphere, the filmmakers make the brave attempt to shoot the entire thing with natural lighting and by eschewing any effects
Full-blooded possession and exorcism that takes its Catholic cant seriously and emerges as dramatically gripping, with Anthony Hopkins delivering a tour-de-force performance. Supposedly based on a true story.
An Asylum film that has the idea of staging a retelling of the true-life Anneliese Michel story that formed the basis of The Exorcism of Emily Rose as a Found Footage film
This Australian thriller has a captivating premise – pregnant women are abducted, C-sectioned and imprisoned where they must fight to the death to get their children back
This makes a fictitious claim to be a dramatisation of alien abductions that took place in Alaska. This creates an account that is at times undeniably interesting before shooting itself in the foot by heading into Ancient Astronauts territory
Another supposed true-life ghost story, an early case by Ed and Lorraine Warren. The film that exists as a progression of pop-up scares that through the need to keep producing effect produces no effect at all.
UK/USA. 2009. Crew Director – Grant Heslov, Screenplay – Peter Straughn, Based on the Book by Jon Ronson, Producers – George Clooney, Grant Heslov & Paul Lister, Photography – Robert Elswit, Music – Rolfe Kent, Music Supervisor – Linda Cohen, Visual Effects Supervisor – Thomas J. Smith, Visual Effects – CIS Hollywood, Special Effects Supervisor […]
A film made not long after the advent of the Torture Porn fad in which a group of friends are imprisoned on a farm to be broken and sold into slavery
Gore-drenched slasher film that purports to tell the truth about university hazing rituals
Portrait of a disturbed teenage girl on a killing and torture spree. Makes fictitious claims to be based on a true story but mostly seems designed to outrage an audience. At which, despite an undeniable amateurishness, you cannot deny it succeeds
One of several killer crocodile films that came out in 2007. This has some big-budget CGI effects but is otherwise cliched and was overshadowed by better entries from the same year like Rogue and Black Water (*)
The second film from Greg McLean, made directly after the hit of Wolf Creek. In this tale of a killer crocodile. McLean borrows more than a few pages from Jaws to create an incredibly gruelling and intense ride
Highly effective British venture into the Torture Porn fad made not long after the successes of Saw and Hostel. A brutal and harrowing tale about women kept prisoner in the woods that travels to some grim and gore-drenched extremes
French horror film that generates a reasonable level of tension as a couple are attacked in their home by mysterious strangers
In the aftermath of the huge success of The Exorcism of Emily Rose, this was another supposedly true account of an exorcism. Made on a low-budget, this fails to surmount the cliches of The Exorcist
Horror film set in the haunted tunnels beneath an abandoned hospital that seems all horror posturing without the benefit of an actual plot
Film based on the supposed real-life Bell Witch Haunting of the 19th Century. Director Courtney Solomon’s constant efforts to make us jump become so tedious that they produce no effect at all.
Remake of the 1979 film that still persists with the claim that the Amityville hoax was true. This embellishes the rather dull original with the baggage of trick effects of the modern horror film
This became a big sensation with its claims to be on the true account of an exorcism even if director Scott Derrickson alters what actually happened to the point of complete fiction. The rest is just rehashes cliches from The Exorcist
Strong and effective UK tv thriller where Stephen Tompkinson becomes obsessed with the girlfriend who went missing years earlier after he thinks he sees her again
From Paco Plaza, a beautifully made film supposedly based on a true incident featuring Julian Sands as a man placed on trail in 19th Century Spain with the defence that he is a werewolf
A biopic about J.M. Barrie, the creator of Peter Pan. The film received much acclaim at awards season but in reality is a simplistic work that entirely rewrites J.M. Barrie’s biography in favour of its own fictional story about what happened
A remake of Tobe Hooper’s landmark classic that presaged a host of inferior 70s/80s horror remakes throughout the 2000s/10s. What we have is now a different film although not entirely an uninteresting one
One of the really good, unrecognised early Found Footage films, supposedly a series of videotapes that chronicle the activities of a serial killer. A film that soon takes us inside an incredibly messed-up headspace
Genuinely creepy film supposedly based on a true story in which Richard Gere investigates a phenomenon known as the Mothman and starts to receive visions, time blurrings and much in the way of uncanny happenings. A film that leaves you with a sense of something unearthly happening just beyond your grasp
A Hallmark tv mini-series based on the life of the supposed true-life medium James Van Praagh
Steven E. de Souza, behind the scripts of a number of high-profile action films, directs this film that supposedly tells the true story that inspired The Exorcist. In practice, this is just another excuse to trot out the possession and exorcism cliches but the results are ludicrous
This shot-on-video film that became a word of mouth sensation with many people believing they were watching real video footage of a trio lost in haunted woods by a witch. Of course, what nobody knew at the time was this was creating the Found Footage film
A very nicely produced film based on the true-life Cottingley Fairies hoax in the 1920s where two girls produced photos supposedly of fairies that convinced a number of people. Despite the original being a hoax, the film wants to convince us that the fairies were real
Ken Russell’s worst film, a ridiculously bad biopic of the psychic Uri Geller
Claire Denis makes a film loosely based on the activities of a true-life drag performer/serial killer but seems unterested in developing plot or suspense
Film based on a true-life claim about a supposed alien abduction. This probably won’t convince anybody who does not already believe but it is undeniably a well-made film, at its most striking when we go aboard the UFO
A trio of Japanese tv movies that retell supposedly true life ghost stories
Film adaptation of writer Whitley Strieber’s true-life claims to have been abducted by aliens. I am not sure if the film convinces us of Strieber’s claims but what is interesting is the thoughtful way it examines the phenomenon
One of Wes Craven’s best films. Loosely based on true-life book by botanist Wade Davis who set out to find the drug that creates zombies, Craven delves into Haitian voodoo in a striking blend of dream and horror
A low-budget cute alien film made in the aftermath of post-E.T., this purports to be based on the true story of a UFO and alien visitor who landed in 19th Century Texas
John Boorman film with Powers Boothe searching for his son who has been snatched by Indians in the Amazon. A mystical film, the first to bring issues of deforestation of the Amazon rainforest to public attention
Film that is supposedly based on a true story which Barbara Hershey are family are harassed by a poltergeist. Contains the notorious scene where Hershey is raped by the entity
TV movie about the historical discovery of Tutankhamun’s tomb by Howard Carter that inflates the tabloid notion there was a curse and so distorts the historical record that it more properly enters the realm of fantasy
The directorial debut of Mario Bava’s son Lamberto, a supposedly based on true life tale about a woman who keeps her late lover’s severed head in the fridge
From 1970s exploitation director Charles B. Pierce, this charts similar territory to the Backwoods Brutality cycle in the claimedly true story of a couple who buy a house in the South and then experience a mystery assault
Obscure 1970s film about a monster emerging from a Colombian lake. The film taps a bunch of subplots and cliche themes but fails to make any of them even remotely interesting. The entire show though is plunged into bad movie stakes by the emergence of the ridiculous monster at the end
Based on a book that claimed it was true story (but was later proven to be a hoax), this haunted house tale was a considerable success and spawned a series of sequels and imitators that continue to this day
The Italian cannibal film is the most extreme genre ever seen on screen. An earlier effort from the director of Cannibal Holocaust, this is from when they were still pretending to be anthropological films but delivers the gut-munching goods
A classic from 70s Euro trash cinema, apparently a cult favourite of Quentin Tarantino. The title is misleading as what we have is not about a female werewolf but more akin to Cat People about a disturbed woman who thinks she has turned into a werewolf at the thought or sight of sex
Voted the Best Australian film of all time, this made the name of Peter Weir who creates an incredibly haunting mystery about four girls who disappear while on said picnic. A sense of the supernatural hangs over the film, full of unexplained answers that remains frustratingly just beyond your fingertips
Fascinating, little seen film with Joel Grey giving an amazingly captivating performance as a possibly fraudulent psychic offering to help a murder investigation
An obscure item among the fad for Edgar Allan Poe films during the 1960s, this threadbare production features Poe himself investigating sinister happenings at an asylum
An absolute horror classic, a film that has been conceived as a harrowing assault on one’s nerves. This has become a landmark genre classic and led to numerous sequels and copies
One of the numerous Bigfoot films of the 1970s . This takes a quasi-documentary approach that unfortunately never makes for a particularly interesting film and where the Bigfoot of the show gets to do very little
Wes Craven’s first film, a savage shock to the system about a group of psychopaths that brutalise two girls. With this, Craven created the Backwoods Brutality film and many works that followed showed the 60s Flower Children being tortured and killed; this is still one of the best of the cycle
Dramatic recount of a true-life sensation during the 1950s when an amateur hypnotist claimed that he had regressed a housewife to recall her past life in 19th Century Ireland. The film has an earnestly prostheletysing belief in its own case but sceptical examination pulls holes in its credibility