The Science Fiction Horror and Fantasy Film Review
The zombie film is one of the most popular sub-genres of the horror film. A zombie is a reanimated corpse that has returned from the dead, slow, shuffling and lacking will. In the modern incarnation, the zombie has become a creature ravenous for human flesh.
The idea of the zombie comes out of African religion. The first ever zombie film was White Zombie (1932) and for the next 36 years, the zombie remained in the province of Voodoo, occasionally a creature of mad science or created by alien invaders. There it was slow, shuffling reanimated corpse but never more than that.
The modern zombie film began with George Romero’s Night of the Living Dead (1968), an apocalyptic film about the dead risen and laying siege to the living in a farmhouse. This made the zombie into a flesh eater and created the popular mythology about it only being able to be killed by incapacitating the head. This created a number of imitators but the true popularity of the zombie film grew in the 1980s following Romero’s sequel Dawn of the Dead (1978), which added copious gore and splatter to the mix. There were a number of enthusiastic imitators in particular from Italy. The 1990s saw the first zombie comedies.
The zombie film underwent a revival in the mid-2000s with a series of works that remade or homaged Romero’s films and others that claimed to be spurious sequels. This was followed by a vast shuffling horde of mostly low-budgeted zombie films. During this time, we have seen zombie films from almost every film-making country in the world.
These low-budget copies soon revealed that the number of original plots available to the zombie film was limited. This period also saw an upsurge in the zombie comedy and by the 2010s this evolved to a series of gonzo takes where filmmakers mixed zombies up with the most absurd title or conceptual mashups. By the end of the 2010s, the gonzo zombie film too had started to run out of ideas.
From The Asylum, the company that brought the world Sharknado and 2-Headed Shark Attack, a film about a zoo filled with zombie animals. Played more seriously than you might expect, this falls just between The Asylum’s usual corner cutting and the odd moment of effectiveness
Zoombies, based around the idea of zombified versions of zoo animals, was a modest hit for The Asylum. While announcing itself as a sequel, this actually acts as a prequel explaining the origin of the zoombie outbreak
In the same vein as ABCs of Death and V/H/S films, this is a multi-director anthology of zombie-themed short films. As always in an anthology, the episodes vary but these are of a generally good quality with the standout being the side-splitting episode in which Jesus faces a zombie horde
A Bela Lugosi comedy in which two inept press agents are ordered to obtain a zombie for the opening of a club
A zombie film back from the days before zombies wanted to eat brains and could only be despatched with a bullet in the head where they were instead figures out of voodoo – in this case undead sailors guarding a treasure. A mildly interesting if never entirely standout B movie of the era
The social metaphors of George Romero’s original zombie films has been missing from the modern equivalents. This takes them up again with great enthusiasm, making a critique of USA attitudes post 9/11, hammering its message home with all the subtlety of a 26-point headline
One of the original Nazi zombie films. From cult director Jean Rollin, known for his arty vampire erotica
The title gives the impression this is intended as a zombie film take on the action film Olympus Has Fallen. The confusion you have in watching is that this is actually a film about a girl with psychic powers on the run. Brief zombie scenes turn up later in the show to justify the title but feel that they have strayed in from another film.
Zombieland has been elevated to the status of a classic of the zombie genre; I found it enjoyable but probably overrated by people who haven’t seen enough other works in the genre. The question going into this sequel is whether it can strikes the same notes.
Enjoyable zombie comedy that has been regarded as a classic by many and contains an appealing nonchalant sense of humour and some great performances, even if it owes much to Shaun of the Dead
Bill Zebub is a micro-budgeted filmmaker who contends to be the most offensive filmmaker of all time. Yes, the film features a zombie Jesus who spends his time violating women who parade in a state of undress
A WTF am I watching film where a performing freakshow troupe led by Pervo the Clown are pursued around a farm by topless zombie women
An adaptation of an R.L. Stine book, a work of safe anodyne horror about zombies trapped inside a film overrunning a town
Ian Ziering and the director of the Sharknado films reunite in an effort to repeat the same kind of deliberately ridiculous success with a gonzo zombie film
One of the more entertaining entries among the gonzo zombie film, this offers precisely what its title promises in an appealingly trashy, sarcastic and suitably gore-drenched blend
A fairly typical entry in the gonzo killer shark fad. The filmmakers have clearly had a title idea that they were able to sell but not too many ideas how to make it work. Director Misty Talley offers a sufficiently tongue-in-cheek approach to overcome most shortcomings
Not to be confused with tv’s Z Nation, this for a time ranked on the IMDB’s Worst Films of All-Time list . It’s been called the Worst Zombie Film Ever made, although I’d suggest other contenders
Another entry among the zombie revival fad of the 2000s/10s, this should be commended for taking an epic and ambitious scope in its story, enough it feels to fuel multiple seasons of The Walking Dead
Post-apocalyptic zombie action played with a tongue-in-cheek comic-book tone. Plus Danny Trejo as a badass zombie-hunting priest
The surprise in seeing this after the tide of gonzo mash-ups and wacky title collusions that has taken over the zombie genre in the latter half of the 00s is that, despite the title, it is a zombie film that is playing itself seriously, emerging as another variant on the zombie relationship drama (*)
One of the most extreme films among the early 1980s fad for Italian zombie films, which it also manages to merge with the Italian cannibal film. Beyond the provision of gore effects, there is not much else to the film
A rather charming South Korean comedy about a family who try to exploit the commercial aspects of having a tame zombie
Italian film conceived as a quickie copy of George Romero’s Dawn of the Dead with the focus on a series of gore scenes. This made the name of cult Italian splatter director Luci Fulci.
It is mind-boggling to think how you could combine zombies with Fight Club, the classic anti-capitalist manifesto about brawling clubs and split personality … Such an idea proves too challenging for this Taiwanese effort but we do get a solid zombie version of The Raid
Low-budget film from J.R. Bookwalter about a police officer resurrected from the dead via voodoo
Completely insane gonzo Japanese horror that feels like it is made by a mad scat fetishist involving parasites that emerge out of people’s asses. The film is driven by its outrageously perverse imagery but for all that is haphazard and incoherent when it comes to explanatory rationale
An extraordinary French film that has nothing at all to do with flesh-eating zombies but delves into voodoo religion that expands out to makes contrasts with French colonialism with striking results
Gonzo killer animal and zombie films have been hugely popular in recent years – it was probably inevitable they meet, This hits a height with the deliriously ridiculous images of zombified human-beaver hybrids on the attack
Belgian film that starts out as a blackly funny work about a cut-price East European hospital before seguing into a zombie film
Amid the vast horde of low-budget zombie films of the 00s, this Norwegian effort in 3D emerges as possibly the worst. It has no discernible plot, while the gore only consists of cheap digital overlays that looks like Monty Python cutout animation
Australian zombie film that comes with a hyperactive fierceness and energy that reminds of early Sam Raimi or Peter Jackson. On the minus side, the zombie genre is now so creatively strip-mined that the film never offers anything original
Sequel to the cult Australian zombie film, this refines the first film and exists as even more of a visual comic-book – all that seems missing is the dialogue that comes in comic balloons
I went into this wondering what new things it could find to do with such an overworked genre as the zombie apocalypse but ended up gently surprised. Not a film that reinvents the wheel for the zombie genre but spins the basics out into a tight, exciting, international locale hopping survival story
Unexpectedly rather funny comedy that combines Mafia on a witness protection program and zombies
Despite being pitched as a zombie film, this is more of a ghost story featuring undead children who were killed in a mine disaster. Director J.S. Cardone does well with the horror elements
Halloween film for children from the pen of horror author R.L. Stine of Goosebumps fame. The children’s horror story (and tv movie) is filled with many insipid and formulaic entries but this is a decent one that is not unafraid to scare people
Hands down, this is the best vampire comedy ever made. An incredibly witty effort that contrasts the cliches of the genre with the mundane business of a group of vampires flatting together in New Zealand. A film that comes with sly deadpan gags packed into the corner of every frame
Sequel to Anthony Hickox’s Waxwork, which ups the number of horror homages but suffers a low budget
Horror comedy told from the perspective of four friends who are unaware they have been transformed into zombies. The contrast of their reactions with everybody else as they flee in terror is mildly amusing for awhile but this is essentially a one-gag film
The idea of a Twilight copy where the lead male is a zombie seems an utterly lame idea before one sat down to watch this. That said, the film manages to make its peculiarly incongruous mix of teen romantic film, zombie film and comedy work for it
The Nazi zombie film has enjoyed a revival in recent years, this is one entry in the genre from Finland made with a reasonable grit and realism
Film about a virus that causes people to become dehydrated and turn into zombies
Slapped with a misleading pandemic-related title, this is an Argentinean zombie film made with an admirable ferocity
An entry from the classic 1980s era of the zombie film about zombies that emerge from a cursed tv set
Third of the V/H/S films, all horror anthologies in the Found Footage style. While the other two were fairly hit and miss, this is extremely good. Each of the four stories sits among the very best episodes among the current crop of multi-director horror anthologies
Sequel to the modest success of V/H/S, an anthology of short Found Footage horror films featuring a different line-up of genre directors. The episodes are competent at best, none standout and mostly forgettable
The directorial debut of Ryuhei Kitamura. A film premised on the idea of mashing the John Woo-styled gangster film up with the gore-drenched George Romero zombie film.
Tsui Hark scripted/produced Wu Xia effort that shuffles the familiar tropes about without seeming too enervated
Completely insane Japanese film that wades in gore while playing everything up at a level of demented cartoonish absurdity. Possibly the most delirious movie-watching fun it is possible to have
Seventh of the V/H/S Found Footage horror anthologies, this is one of the best with a number of the episodes venturing into SF and others that feature some genuinely outlandish moments
Sequel to Roland Emmerich’s Universal Soldier, this brings back Jean-Claude Van Damme but otherwise substitutes a brain dead plot that has him facing an evil A.I.
The fifth of the Universal Soldier films reuniting both Jean-Claude Van Damme and Dolph Lundgren, while being given a tough, brutal action punch by director John Hyams
The first studio film from Roland Emmerich, a loud, noisy action featuring Jean-Claude Van Damme and Dolph Lundgren as Vietnam Vets resurrected as super-soldiers
he second of two cheap video-released sequels to the Jean-Claude Van Damme film. This has the novelty of featuring Burt Reynolds as the bad guy
The first of two cheap Universal Soldier sequels made in Canada with Matt Battaglia inheriting Jean-Claude Van Damme’s role
Appealingly quirky homemade zombie film that launched the career of Australia’s Spierig Brothers. The two demonstrate a considerable inventivity when it comes to the visual and makeup effects, which they created all themselves
Thai-made film that gives off some initial The Quiet Earth vibes as two girls enjoy a private paradise in a holiday resort following the collapse of civilisation
28 Days Later was the work that started the modern zombie film revival. Twenty-three years later, Danny Boyle and Alex Garland return to make a third film
I was cautious about hailing 28 Days Later as a modern classic; this sequel is in fact a much better film. Newcomer director Juan Carlos Fresnadillo draws it out into a series of superbly sustained suspense sequences
Danny Boyle’s modestly budgeted hit presaged a big return for the zombie film during the 2000s/2010s. Not a bad film even if Boyle is conducting major borrowings from other works like The Day of the Triffids and Day of the Dead
Belgian zombie film about a military unit assigned to travel through zombie-infested territory to rescue a girl who has an immunity
The first of several sequels to Charles Band’s Trancers with Tim Thomerson as a hard-boiled time-travelling detective. This does a passably okay job of following up on its predecessor
One of the more unpretentiously enjoyable films from Charles Band, this rides the mid-80s spate of time travel films with Tim Thomerson giving a highly entertaining performance as a hard-boiled detective travelled back from the future. A series of sequels followed
The zombie film has become an overworked vein in the last few years, reduced to self-parody. This South Korean film does nothing to reinvent the zombie film, just contains the drama aboard a train for the duration, but manages to create a grippingly intense epic of the genre
Another in plethora of gonzo killer shark films viz Sharknado concerning a mutated shark that spews a plume of toxic waste. Not the bottom of the barrel, an adequately made B movie that takes itself relatively seriously
The first in a series of films from Spanish director Amando de Ossorio about blind Knights Templar zombies. De Ossorio is clearly influenced by Night of the Living Dead but creates considerable atmosphere
A zombie film from the director who subsequently went on to make the WolfCop films. The one thing this has going for it are some convincing zombie makeups and exxxxtremely gory splatter effects
A French zombie film that is about as far removed from a zombie film as it possible to get – the dead inexplicably return to life not to eat the flesh of the living but calm and detached where society’s problem is how to let them return to their previous lives
Written by and starring 80s Scream Queen Brinke Stevens, this offers an occasionally amusing comedy take on the possession and exorcism film
An anthology of horror tales from Indonesia, most being too short to make much distinction,, the exception being The Mo Brothers gore-drenched first film Dara
Film about a penis-enlarging drug that creates zombies, this goes for an outrageous bad taste vein are rarely lets up
George Romero’s sixth and final zombie film where he writes characters and a script with much more of a richness of theme than he did in the last two entries
Eccentric 80s frat rat/surfer comedy – part of the weird joke is that it is called Surf II when there never was a Surf I. Eddie Deezen is a mad scientist turning surfers into zombies with a soda made of industrial waste.
The first film on the theme of zombies from the American Civil War. Not too badly made and with an unusual cast line-up
Bizarrely uncategorisable film from Zack Snyder that seems a mix of Girl, Interrupted and Inception
Based on the popular videogame, you cannot complain that this is exactly what you expect – wall-to-wall action, comic-book heroes and villains. The complaint might be that the action is never particularly enervated and the film lacks anything beyond that
A bizarre Japanese film about hordes of schoolgirl zombies
A David DeCoteau film that comes with one of the great exploitation titles of all time but is otherwise a cheap Scream Queen vehicle about a demonically possessed bowling trophy
Film that seems to be trying to cram in as many exploitation elements as possible from UFOs to spree killers, zombies, Women in Prison and rock’n’roll
Reasonable adaptation of Robert E. Howard’s stories about a Puritan warrior, an entry in the 00s sword-and-sorcery fad that comes with a welcomely dark edge
Beautifully made and very adult version of the fairytale, which seems determined to play up the terror aspect of the title, resulting in a work that seems a long way away from Disney
James Gunn directs a film about body-snatching alien slugs that proves enormous fun and comes packed to the edges with numerous genre references and homages
This has been conceived as the ultimate modern exploitation film featuring Nazi zombie piloting flying sharks. Think Iron Sky by way of Sharknado. The results are highly entertaining
A low-budget amateur-made zombie film that treads where hundred of other copycats have before. It sets itself apart from these very slightly in that it makes effort to chart a relationship between the leads and in that the zombies behave in puzzlingly non-traditional ways
An incredibly bad Italian-made Sinbad adventure starring Lou Ferrigno that is laughable in its dialogue and acting and incredibly tatty in its budget pinching
The very first Nazi zombie film, a genre that proven surprisingly prolific since. A modestly effective film filled with great images of dead stormtroopers rising from the surf
A warm parody/tribute to the George Romero zombie films that saw the emergence of Simon Pegg as a star. It also saw the zombie film move towards a more comedic emphasis, although few subsequent entries come with such good-natured humour
A film that deserves a cult reputation, this is possibly the most unique and original take on the zombie film I have ever come across
A Canadian entry made soon into the zombie movie revival of the mid-00s and before the copycats started to become tediously familiar and the genre turned to self-parody. This delivers a solid rehash of the essentials – IMHO a better job that Zack Snyder did in Dawn of the Dead
One of Wes Craven’s best films. Loosely based on true-life book by botanist Wade Davis who set out to find the drug that creates zombies, Craven delves into Haitian voodoo in a striking blend of dream and horror
Train to Busan was a massive breakout hit from South Korear. Overlooked in the buzz was this animated prequel from the same director released at the same time. The zombie film and animation are an uneasy mix but this works well, if not with the same kick as Train to Busan
Horror film about a soldier returned home from conflict strangely ‘changed’ reminiscent of the classic Dead of Night. From the director of August Underground films.
There is something appealing to the film’s premise – of boyscouts with their knowhow and do-gooder mentality being the best equipped to survive the zombie apocalypse. Instead we end up with a film not nearly as clever as it thinks it is being
The Maze Runner was one of the better Young Adult films, creating an intriguing conceptual mystery; this sequel ignores all of that, even throws the book out and is essentially a jumble of random sf tropes that amount to no more than running, shooting and things exploding
An overlooked effort from the direct-to-VHS era concerning itself with a field of undead scarecrows. Amid the numerous zombie and splatter effects efforts of the day that were being churned out, this settles in with an unusual atmosphere that is often hard to shake
This comes with one of the great exploitation titles of all time. Despite the enormously entertaining possibilities inherent in the premise, the film misses all of them and falls down into complete amateurism within moments
Micro-budgeted SF film where a nanoswarm is accidentally released, taking over an apartment building and reprogramming technology
Sequel to the earlier The Rizen with the group of people trapped inside a labyrinth of Lovecraftian horrors
Amnesiac persons wake up in a bunker filled with monstrosities. Sort of H.P. Lovecraft served up as a low-budget variant on Resident Evil
The Asylum have not delved into the zombie film as much as they have the gonzo killer shark, which they practically invented. This is one occasion on which they did and is unexpectedly a serious film with a reasonable name cast (including Danny Trejo as a zombie)