Alice (1990)
One of Woody Allen’s less interesting films, a modernised version of Alice in Wonderland with Mia Farrow as a bored housewife who passes through various surreal experiences
The Science Fiction Horror and Fantasy Film Review
One of Woody Allen’s less interesting films, a modernised version of Alice in Wonderland with Mia Farrow as a bored housewife who passes through various surreal experiences
Paul Hogan became a huge international star with the Crocodile Dundee films. He next went on to appear in this oddity star as an aging ex-con who believes he is an angel
One of the last directorial outings from cult director Larry Cohen. Comic-book artist Eric Roberts is wound up in trying to trace a mysterious ambulance that is abducting women into illicit experiments
Executive produced by Steven Spielberg, a popular revival of the 1970s bugs amok genre about a town overrun by deadly spiders, although this avoids the horror label and plays itself with much humour
The second film from Guy Maddin, which comes with all of his familiar homages to German Expressionism and silent cinema, wrapped up in a surrealist plot of hilarious melodrama and side-splittingly deadpan dialogue
A wildly deranged and gore-drenched ride. Imagine Rosemary’s Baby with an Alien chesburster where a woman is impregnated by a parasite that maintains a monologue as it urges her to kill and drink blood to feed it.
Third of the Back to the Future films, which takes everything back in time to the Old West. Probably the slightest of the trilogy by a tiny margin, this nevertheless goes out with a rousing farewell
Fine Curtis Hanson psycho-thriller in which dull yuppie James Spader befriends charismatic psychopath Rob Lowe and is drawn into a series of taunting psychological games
Frank Henenlotter takes the commercial route and makes a sequel to his no-budget cult film. A bigger budget allows the film to become a comic variant on Freaks featuring a series of way-out makeup effects
The first film from E. Elias Merhige, subsequent director of Shadow of the Vampire. An unfathomably strange film in the Eraserhead vein about gods disemboweling themselves, rebirthing and being beset upon by nomads.
This has next-to-nothing to do with Edgar Allan Poe. Instead, Luigi Cozzi makes a giallo thriller that makes claims to be the unofficial third chapter of Dario Argento’s at that point unfinished Three Mothers trilogy.
Belated Australian entry in the slasher genre about killings at a Catholic girls’ school, this is shabby on all counts
The second film from Kathryn Bigelow in which Jamie Lee Curtis is a rookie cop who is stalked by a creepily psychopathic Ron Silver. A beautifully stylish rendering of an increasingly improbable plot
One of the better 80s attempts to copy A Nightmare on Elm Street from an old Charles Beaumont script in which Bill Pullman is a neurologist who becomes involved in an increasingly wilder series of reality bendings
Sequel to the cult splatter hit of Re-Animator, directed by the original’s producer Brian Yuzna. Jeffrey Combs, Bruce Abbott and David Gale are back. This has some amazing effects work but lacks the first film’s outrageous black humour
The directorial debut from Frank Darabont who went on to make The Shawshank Redemption and The Mist. A wife and her lover plot to kill husband off by poisoning him only for him to survive and plot an elaborate revenge scheme
The last gasp of the Cold War nuclear film. A tv movie that features Martin Landau is the US President who tries to stop an accidental Russian nuclear release escalating into full-out war
Cheap and fairly terrible adaptation of the Marvel Comics superhero from low-budget director Albert Pyun. The superheroics look impoverished and Matt Salinger makes a dopey-looking Steve Rogers
Cult Italian horror director Lucio Fulci plays himself, a horror director being driven to hallucinations and acts of murder by the violence he directs in his films
The first Child’s Play felt like an incredibly silly film. However, this first sequel takes the same elements and constructs them into a much tighter, better package
Sequel to the sensational A Chinese Ghost Story, this reunites the principal talents and actors but is not quite as snappy as the original, placing more of an emphasis on comedy
This was the fourth and final, as well as the best of the BBC’s tv adaptations of C.S. Lewis’s Narnia books, which works well enough despite the impoverished production values
Qurkily appealing Cyberpunk film in which a female bodyguard and a male pleasure android must make a journey across a post-apocalyptic wasteland
Mark L. Lester makes a follow-up to his earlier The Class of 1982 about a teacher forced to adopt vigilante actions in a stand against a lawless classroom. In the interim, The Terminator came out and this now has killer android schoolteachers
A Paul Schrader director psycho-sexual thriller set in a beautifully brooding Venice as a couple are befriended by menacing husband and wife Christopher Walken and Helen Mirren
Charles Band film that gives the impression it is a Transformers-type film. While a Transformer does appear in a few scenes, this settles down to be more of a killer android whodunit.
A sequel entirely unrelated to The Curse only worth seeing for a series of entertaining entertainingly ridiculous effects where a man’s arm transforms into a mutant snake
Rather enjoyable action film that conducts an amusing spin on Lethal Weapon buddy cop formula with Dolph Lundgren taking on an intergalactic drug dealer
Conceptually ridiculous film where a spaceship crew in lunar orbit come across a space shuttle that disappeared through the Bermuda Triangle and contains a parasitic organism that is The Devil
Amid the early 1990s spate of dark superhero films, Sam Raimi created one of the few original screen superheroes with Darkman, essentially a superhero film where The Joker (by way of The Phantom of the Opera) is the hero of the piece
Jean-Claude Van Damme action vehicle set in a prison that becomes an interestingly stylised realm in a wild plot featuring serial killers and organ harvesting schemes
Part of an attempt to revive the Blaxploitation film, a gospel horror film of sorts in which a young African-American divinity student fights the demon Temptation
A Warren Beatty directed and starring adaptation of the popular newspaper comic-strip detective proved a flop. Beatty creates a highly stylised world and peoples it with an all-star cast but fails to invest the world with any depth
A highly entertaining effort from Charles Band and Full Moon Productions directed by Albert Pyun featuring Tim Thomerson as a hard-boiled miniature alien cop come to Earth
Claude Chabrol updates Fritz Lang super-villain Dr Mabuse to a millennial West Berlin where Alan Bates masterminds a mass suicide cult via advertising
French film about true-life serial killer Marcel Petiot, a respectable doctor who operated a lifeline for Jewish refugees during WWII only to kill them
It is some surprise that the only time Akira Kurosawa ventured into fantastic cinema was with his penultimate film here. A beautifully filmed anthology of eight tales, including several ghost stories and anti-nuclear parables
Tim Burton and Johnny Depp in one of their best collaborations. Burton creates offer this sweet oddball fable that is a take on Frankenstein where the monster becomes an alienated youth with scissors for hands
Third of Jim Varney’s Ernest films where he is mistaken for a wanted criminal who is his double – only to go to the electric chair and this to magnetise his body. At that point, the film becomes a parody of Shocker
Hong Kong film that blends gauzy erotica and supernatural (although no ghosts despite the title). Not as a good as the first sequel (one of several that followed) due to crude direction
One will go out on a limb and argue that William Peter Blatty’s sequel is actually a far superior work to the original The Exorcist, one that substitutes a literate theological detective story for barf bag theatrics and contains at least one real out there jump
Fine copy of Eyes of Laura Mars from Rockne S. O’Bannon in which clairvoyant Ally Sheedy gains the ability to see through the eyes of a serial killer
This was made not long after Wes Craven’s Shocker, a film in which detective Lou Diamond Phillips faces a serial killer who comes back from the gas chamber and hop between bodies
A film about med students stopping their hearts so as to explore the afterlife. This aims for big ideas but befalls director Joel Schumacher who delivers pretty visuals but finds nothing any more profound than a figurative group hug
Frank Henenlotter of Basket Case fame modernises the Frankenstein where here Frankenstein creates a body out of parts from Time Square hookers. Amusing but eventually a film where the humour is too broad
Roger Corman disappointed with this return to the director’s chair after twenty years. He adapts a Brian Aldiss novel about a time-traveller meeting both Mary Shelley and Dr Frankenstein but, despite a bigger budget, the result still feels like one of Corman’s B movies
Superior sequel to the modest The Gate, which borrows from H.P. Lovecraft and delves into the area of cursed wishes with imaginative results
Popular hit in which Patrick Swayze is killed and becomes a ghost. Bruce Joel Rubin’s script has enormous fun in interpreting aspects of the ghost story from the ghost’s point-of-view.
Riding high on the success of The Cosby Show, Bill Cosby flopped on cinema screens with this comedy where he appears as a father who returns as a ghost to sort out his children’s lives
Modestly made BBC mini-series concerning a boy who discovers he has the titular gift of clairvoyant visions and how this around him try to exploit this
From a Stephen King short story about mill workers facing a giant rat, this has become one of the most ridiculed of all King adaptations. Everything takes place with absurdly over-the-top melodrama
Adapted from a novel by Kingsley Amis, this BBC mini-series is a ghost story for arts audiences. Albert Finney gives a great performance as a philandering hotelier who must deal with the appearances of an 18th Century sorcerer
A far less successful sequel to the mega-hit of Gremlins where director Joe Dante brings the gremlins to Manhattan and allows the silliness to go completely over-the-top and into orbit, even breaking the fourth wall
Interesting, if not entirely successful, attempt to revive the horror anthology – in this case with four tales that all take place in a Western setting
William Friedkin film with Jenny Seagrove as a sinister nanny who is really a baby-snatching druidic tree spirit. Friedkin and all concerned play a B movie idea in remarkably straight face
The original version of the Margaret Atwood novel made way before the tv series. This aims in the general direction but is more a film that achieves a sense of disquiet rather than the true horror of its’ heroine’s situation in this world
Richard Stanley makes a film where killer robot invades and takes over a girl’s apartment and transforms into an astonishing visions of pure unfiltered Cyberpunk. One of the most visually dazzling directorial debuts of its day
An adaptation of the Edgar Allan Poe story produced by Roger Corman. Alas giving it to exploitation director Jim Wynorski, who likes to add really well stacked women to everything does, kills all of Poe’s atmosphere
Light fantasy oddity with Bob Hoskins as a racist slob of a cop who receives a heart transplant and suddenly gets a deceased Denzel Washington as a ghostly companion
After his extraordinary breakthrough with Tetsuo: The Iron Man, Shinya Tsukamoto went onto make this altogether lighter film, a work about demon hunters filled with Tsukamoto’s bizarrely wacky imagery and way-out effects
The first and best Tom Clancy adaptation about a hi-tech Soviet submarine whose captain goes rogue. Director John McTiernan, just come from making Die Hard, conducts the maneuverings about with gripping psychological tension
British venture into the gonzo splatter film that beyond an amusing title is just crude and heavy-handed
Modernised retelling of Cinderella set in the Paris fashion world starring Rob Lowe and Jennifer Grey
From regular horror director Brian Yuzna, a sequel to the Christmas slasher films series. This is quite possibly not only the weirdest Christmas film ever made but the weirdest Christmas horror film ever made
Low-budget invisible man film that makes a beeline for the squalid – the invisible man is a cliched nerd scientist and the discovery of invisibility becomes an opportunity for him to wander into girl’s locker rooms, kill bullies and the like
Stephen King adapted mini-series – the second ever and one of the best. A dark take on the great American Coming of Age tale, Tim Curry makes an unsettling Pennywise (in doing so popularising the figure of the killer clown) and the show is uncommonly good at its disturbing blurrings of reality and illusion
Adrian Lyne became one of the most visually exciting directors of the 1980s. Here he makes an afterlife film that swings between moments of greatness and a script that seems very confused about what is happening
A film version spun off from the popular Hanna-Barbera animated tv series
The singer Björk appears in the adaptation of a fairytale by the Brothers Grimm about witchcraft in mediaeval Iceland
A sequel to Killer Crocodile, a dreary Italian-made Jaws ripoff
The third of the Texas Chainsaw films where the rights have been inherited by a studio and the brutality of the original promptly watered down to MPAA standards
Remake of William Golding’s classic work about boys stranded on a desert island descending into barbarism where the book is disastrously Americanised in a clodding adaptation that misses the original’s rich swim of symbolism
Bert I. Gordon film with Robert Forster searching for a missing girl before finding she was dealing with the occult
Standout sequel to Maniac Cop where Larry Cohen turns in a remarkable script and William Lustig delivers incredible action sequences
Majorly unfunny film about the arrival of aliens that do bad stand-up comedy and tell people’s embarrassing secrets
Peter Jackson‘s second film, what might be called The Muppet Show by way of John Waters, an inspired work of puppet depravity that makes a beeline for bad taste
Little-known SF film with Billy Zane in a dystopian future involving Virtual Reality tech and implanted memories. Like Total Recall rewritten as an episode of Miami Vice
A much better than usual film from Charles Band, an erotic fairytale in which Sherilyn Fenn becomes involved with a circusmaster and his twin brother who turns into a werewolf
Cheaply made Cannon Film that plays out like an action version of The Hitcher featuring a completely over-the-top Mark Hamill as the psycho
A 1990s video release, a variant on Carrie where a bullied teen girl enacts vengeance against tormentors with the aid of a cursed mirror
Fine film that deserves wider recognition with Jeff Goldblum as a man in an asylum who claims to be The Devil
Adaptation of a classic Gothic novel about a priest who faces diabolic temptations in the form of a woman disguised as a novice monk
Early Roland Emmerich film with Michael Paré investigating pirates targeting a mining moon. As usual with Emmerich, the focus is on action while neglecting the plausibility of the scenario
A variant on It’s a Wonderful Life where James Belushi gets to live the life he never did due to missing a key baseball homerun
Sequel to The Neverending Story made with a better budget that delivers some amazing work with sets and creature designs but is killed with a script that discards the metaphors and complex level of meta-fiction hat drove the original
Erotic horror as the demon Lilith attempts to take over a fashion magazine
George Romero produces a remake of his groundbreaking zombie film. This adheres closely to the original but manages to modernise it in interesting ways
The second directorial film from Clive Barker is a hugely ambitious work concerning the discovery of a city of monsters – containing some extraordinary makeup creations – but proved a box-office flop
Despite one of the great exploitation titles of all time, this bikini clad babes vs dinosaurs after the apocalypse effort lacks the cheerful cynicism of other Troma films and is just cheap, dull and unwatchable on almost every level
A low-budget post-apocalyptic action film featuring the almost completely forgotten martial arts and (non)-actor Ron Marchini who must venture out into the ruined city to rescue three girls
Thriller in which landlords Matthew Modine and Melanie Griffith’s lives are terrorised by psychopathic tenant Michael Keaton
A vacant and stylistically empty modern vampire film that is all posed mood
Entertaining B-budget variant on The Hidden with a woman caught between an alien aw enforcement officer and fugitive criminal both of whom offer contradictory stories
Lush tv mini-series with Charles Dance as the Phantom, this stands too much in the shadow of the then recent Lloyd Webber musical and its making The Phantom into a romantic figure as opposed to a horror icon
Predator was one of the better Alien/Aliens copies of the 1980s. This sequel does little more than serve the same up all over again bar the substitution of a near-future L.A. for the jungle but manages to generate a reasonably intensive ride out of the action
The third of the Prom Night films, a direct follow-on from the second in which Mary Lou becomes a campy Freddy Krueger-like villain firing off bad puns amid her dispatches
Dolph Lundgren’s The Punisher is minus his trademark t-shirt and the film takes considerable liberties with the source material but this is a hugely entertaining action comic-book of a film with hilariously tongue-in-cheek dialogue
The first of the long-running series of sequels to Full Moon’s Puppetmaster, this is essentially a rerun of the first film
Heather Thomas starring film about the discovery of a laboratory that has created a vampire virus
A dark Coming of Age story set in a surreal depiction of the midwest populated by what might be vampires and angels