Passion of Mind (2000)
The intriguing idea of two Demi Moore’s living on either side of the world, each dreaming that they are the other. The conceptual possibilities of the idea pan as no more than a routine Chick Flick
The Black Cat (1990)
This has next-to-nothing to do with Edgar Allan Poe. Instead, Luigi Cozzi makes a giallo thriller that makes claims to be the unofficial third chapter of Dario Argento’s at that point unfinished Three Mothers trilogy.
The Curse of Frankenstein (1957)
This and The Horror of Dracula the following year set Hammer Films on the map. A remake of Frankenstein very different to the 1931 version that comes in vibrant colour and places Peter Cushing’s ruthlessly amoral Baron at the centre of the show
Abbott and Costello Go to Mars (1953)
Abbott and Costello take time out from comic hijinks with the Famous Monsters to go to Venus (despite the title) and engage in various datedly sexist gags with a planetful of women
Carrie (1976)
The very first Stephen King adaptation, a hit that made King’s name. Brian De Palma directs with flamboyant visuals that make you gasp but the film would be nothing without its amazing central performances from Sissy Spacek and Piper Laurie
The Believers (1987)
Big serious film about Santeria religion that readily delves into the voodoo side of it as detective Martin Sheen and his family are targeted by cultists
Children of the Corn (1984)
A fifteen page Stephen King story about a patricidal child cult has spawned this film, nine sequels and a remake. Not a very good film, this is stuck with padding a very slight original out to a full-length film
Army of Darkness (1992)
Sam Raimi and Bruce Campbell make their third Evil Dead film. The series hit a peak with the delirious balance of horror and comedy in the second film but here the comedy over-balances and becomes too broad
L’Atlantide (1992)
The sixth film version of a classic lost world story about explorers finding Atlantis and its immortal queen in the desert. This is a more mundane version that waters down the fantastic elements
Lust for a Vampire (1971)
The second of Hammer’s Karenstein films based on the lesbian vampire story Carmilla. Overt sexuality had been allowed to enter the Hammer film but this is killed by its laughable unsubtlety and an air of adolescent masturbatory fantasy
Burnt Offerings (1976)
A theatrical film directed by 1970s genre tv producer Dan Curtis. This has the intriguing idea of a house that acts as a psychic vampire. In all other respects, this plays out as a standard haunted house story
Bedazzled (1967)
British comedy made with an acerbic bite featuring Dudley Moore as a hapless loser who makes a pact with Peter Cook’s Devil to win the love of his life but has the wording of each wish contorted around on him
Black Christmas (1974)
Many argue that this is the original slasher film – and it does the whole formula a good deal better than many of those that came along a few years later, having some wry characterisations and a sardonic sense of humour
The Brother from Another Planet (1984)
John Sayles responded to E.T. – The Extra-Terrestrial and its suburban middle-class fantasy with this wry comedy in which a mute Black alien visitor (Joe Morton) arrives in Manhattan
Carnosaur (1993)
A Roger Corman produced cheapie about genetically engineered dinosaurs that was quickly rushed out to exploit the success of Jurassic Park. Corman went on to make two sequels
The Curse (1987)
Actor David Keith directs an adaptation of H.P. Lovecraft’s The Color Out of Space. Unfortunately the focus on cheesy and ridiculous effects quickly takes the exercise down into Grade Z territory
Dead-End Drive-In (1986)
Remarkable little film from Australian director Brian Trenchard-Smith set in a satiric future where drive-in theatres are used as prisons for troubled youth
Blood and Roses (1960)
Roger Vadim conducts a very sofctore adaptation the classic vampire story Carmilla but this seems pallid and bloodless in contrast to the Hammer Films of the same period, not to mention their later adaptations of the same story
Hundra (1983)
One of the better copies of Conan the Barbarian featuring Laurene Landon as a warrior woman. This is actually a better screen incarnation of Red Sonja than the subsequent film version
The Evil Dead (1981)
Ferociously paced low-budget hit that put the names of Sam Raimi and Bruce Campbell on the map, both making their film debuts here. What made the film a cult hit was Raimi’s full tilt pace and entertainingly over-the-top splatter effects
Masque of Red Death (1989)
Dull and dreary version of the Edgar Allan Poe story especially when placed in contrast to producer Roger Corman’s definitive 1964 version
Alice in Wonderland (1933)
Studio adaptation that freely mixes elements from Alice in Wonderland and Through the Looking Glass and features an all-star cast line-up, this works far better than the purists would have it
The Invisible Kid (1988)
An inane invisibility film that plays out as no more than a crude 80s teen comedy with invisibility gags
Super Mario Bros. (1993)
The first film to be adapted from a videogame and inauspiciously one of the worst. This is a film made on a decent budget that seems to have set out to be as stupid and brainless as possible
Dr Jekyll and Sister Hyde (1971)
Rather enjoyable latter day Hammer Film, which plays its title pun surprisingly seriously. Ralph Bates and Martine Beswick are perfectly matched as the gender-changing Dr Jekyll and everything made with great style by Brian Clemens
DragonHeart (1996)
This places an amusing spin on the standard dragon fantasy, having the dragon and its would-be slayer team up to fool the peasantry out of money. The Sean Connery-voiced dragon looks like a big CGI cartoon
Hercules (1958)
Hugely successful film that started the Italian peplum cycle featuring muscle-builder heroes in togas. This is rather stolid and strips much of the fantasy out of the Greek legends nevertheless has its own pulp spectacle
Bad Influence (1990)
Fine Curtis Hanson psycho-thriller in which dull yuppie James Spader befriends charismatic psychopath Rob Lowe and is drawn into a series of taunting psychological games
Believe (2000)
A children’s ghost story that is written with uncommon depth and care and directed with reasonable effect
Un Chien Andalou (1928)
Famous surrealist short film made as a collaboration between Luis Buñuel and Salvador Dali, full of the shock juxtapositions and symbolism you associate with either
Dinosaur (2000)
The first full computer animated film from Disney. It feels like someone decided to give the Jurassic Park dinosaurs their own film, mixed up with the plot of The Land Before Time
Donovan’s Brain (1953)
The second film version of the multiply filmed novel by Curt Siodmak about a malevolent brain in a tank. Its greatest distinction is featuring later to be First Lady Nancy Davis Reagan as the heroine
The Silver Brumby (1993)
Adaptation of a classic Australian children’s story about a breed of mythic horses. Starring an unknown Russell Crowe.
The 4th Floor (1999)
A thriller that develops quite a degree of eerie suspense as Juliette Lewis moves into a new apartment and finds she is surrounded by some very strange neighbours
Beloved (1998)
Adapted from an award-winning Toni Morrison novel, this is an African-American ghost story that comes with Serious Drama written all over it. Produced by/starring Oprah Winfrey, the film was overlooked at the major award but is a stunning, emotionally raw work
Battlefield Earth: A Saga of the Year 3000 (2000)
The adaptation of the alien invasion novel by Scientology founder L. Ron Hubbard starring John Travolta is a completely ridiculous film that was laughed off screens and is regarded as a classic bad movie
Cool World (1992)
Animator Ralph Bakshi jumps aboard the Who Framed Roger Rabbit? bandwagon with a toon film in which a Jessica Rabbit-like cartoon character is dragged into the real world whereupon she is played by Kim Basinger
The Land Before Time (1988)
Likeable but lightweight talking dinosaur film from animator Don Bluth. Aims to be a prehistoric Bambi but never quite finds the depth. Mostly remembered for producing a large number of video-released sequels
Flesh Gordon (1974)
The amusing idea of a softcore parody of the old Flash Gordon serials. A surprisingly well-made film but the jokes often seems belaboured amid the witless mugging
Opera (1987)
This may well be the finest of Dario Argento’s giallo thrillers. Set around the production of an opera, this offers a series of murder set-pieces staged with an artistry that is as extraordinary as their sadism
Leatherface: Texas Chainsaw Massacre III (1990)
The third of the Texas Chainsaw films where the rights have been inherited by a studio and the brutality of the original promptly watered down to MPAA standards
The Son of Kong (1933)
The 1933 King Kong is a landmark classic Yhis sequel was quickly produced soon after its success,. While the original created a monster movie fairytale, this plays everything for maximum cuteness – it is essentially King Kong mounted as a children’s film
Mary Shelley’s Frankenstein (1994)
An adaptation of Frankenstein made as companion piece to Francis Ford Coppola’s Bram Stoker’s Dracula. As director, Kenneth Branagh creates a lush production but the attempts to emulate Coppola’s sensuality go off-balance
Not Of This Earth (1988)
The Roger Corman 1950s cheapie about a mystery man who proves to be an alien space vampire is remade as a vehicle for Traci Lords. The script is essentially the same but with the addition of a lot of topless women
King Ralph (1991)
Comedy where the Royal Family is wiped out and vulgar American nightclub singer John Goodman inherits the crown
The Blue Man (1985)
Canadian-made horror from the heyday of the VHS era about psychic vampires terrorising people via astral projection in order to steal their bodies
The Land That Time Forgot (1974)
The first in a trilogy of prehistoric lost world adventures based on Edgar Rice Burroughs’ novels and all starring Doug McClure. The variability of the effects aside, this is a well-made adventure with a strong script
Starman (1984)
John Carpenter abandons horror to make one of the better E.T.-inspired cute and cuddly alien visitor films. The film’s grasp of science is sometimes shaky but the film gains an enormous amount from Jeff Bridges’ performance as the alien trying to adjust to being in a human body
Zapped Again (1990)
A sequel to the teen psychic powers comedy Zapped! that takes things even more crass and vulgar
Eyes Without a Face (1959)
Classic French thriller about a mad surgeon who abducts women to graft their faces onto his disfigured daughter. The film has a rare visual poetry combined with moments of horror that are still effective decades later
Vampire Hunter D (1985)
Cult anime about a monosyllabic vampire hunter moving across a hallucinatory post-apocalyptic dispatching mutants and vampires
Angel on My Shoulder (1946)
One of the films from the 1940s fad for light afterlife fantasies in which mobster Paul Muni is sent back from Hell by The Devil in the body of a respectable judge to create mischief
Rawhead Rex (1986)
Early Clive Barker adaptation made just prior to his gaining fame with Hellraiser about a the revival of a monstrous pagan pagan that suffers from shabby treatment and a rubbery monster
The Possession of Joel Delaney (1972)
This predates The Exorcist in its possession themes where Perry King becomes possessed by the spirit of a Puerto Rican killer
Household Saints (1993)
Warm and appealing film filled with great performances that takes place across two generations of an Italian-American family. An obsession with Catholic miracles takes over in the second half, although the film remains ambiguous to their actuality
Heavy Metal (1981)
Cult animated film that adapts several stories from the adult fantasy comic-book Metal Hurlant/Heavy Metal. These vary but in its better moments that has a trippy cult hallucinatory quality
I Spit on Your Grave (1978)
One of the most raw and savage films ever made, this sits on a dividing line between true horror and exploitation as we experience Camille Keaton being raped with no detail spared before exacting a brutal revenge
Blood on Satan’s Claw (1971)
English horror film influenced by both the witch persecution themes of The Witchfinder General and the early 70s witchcraft film. Well made but that doesn’t quite disguise an unstructured screenplay
Riders to the Stars (1954)
Early Space Age film about the attempts to capture meteorites for building rockets. Scientifically preposterous but not uninteresting
In Like Flint (1967)
Sequel to the James Coburn-starring Our Man Flint, one of the better parodies of the James Bond films made during the 1960s. Unlike its predecessor, this one is less interested in the humour and seems to be taking the silliness seriously at times
Harlequin (1980)
Fascinating Australian film in which Robert Powell plays an enigmatic stage magician who may or may not have real powers who comes to influence a politician’s family
Dark Angel (1990)
Rather enjoyable action film that conducts an amusing spin on Lethal Weapon buddy cop formula with Dolph Lundgren taking on an intergalactic drug dealer
Angels in the Outfield (1994)
Disney remake of the old light fantasy film in which angels step in to aid a losing baseball team. This is pitched to family audiences and holds a surprisingly ardent evangelical message
Frequency (2000)
Intelligent and well written film where freak weather conditions allow a son to communicate with his late father by radio across thirty years in time. Where the film starts to get interesting is when the changes in the past create unexpected ripples in the present
Real Genius (1985)
Highly enjoyable comedy set among the hi-tech hijinks of a group of university science geeks. Val Kilmer owns the show in his second screen performance
Barton Fink (1991)
Hollywood noir from the Coen Brothers, this takes us inside the crumbling mental state of a screenwriter in the 1930s. Like a David Lynch remake of Day of the Locust, this comes rich in the Coens’ black uncomfortable humour
The Flintstones in Viva Rock Vegas (2000)
Sequel to the live-action The Flintstones film. Whether we asked for it or not, this offers up a Flintstones origin story where we see familiar pieces of the series fall into place
Blood Dolls (1999)
Another of Charles Band’s doll horror films a la the Puppetmaster and Demonic Toys films. Here Band goes totally gonzo and makes one of the strangest films of his entire career
Terror Firmer (1999)
Troma film in which Lloyd Kaufman turns his own autobiography into a Troma film where the results emerge as something akin to Ed Wood as remade by John Waters
Simply Irresistible (1999)
Very silly romantic comedy in a Magical Realist vein where Sarah Michelle Gellar gains magical cooking abilities. Like Water for Chocolate did this better.
Venus in Furs (1969)
One of the better films from exploitation director Jess Franco that develops a haunted atmosphere that while crude is hard to shake
Leprechaun in the Hood (2000)
Fifth film in the Leprechaun series starring Warwick Davis as a malevolent leprechaun dispatching people with OTT regard … In a bizarre novelty twist, this sets the leprechaun loose in the world of rap
Them! (1954)
Them! and The Beast from 20,000 Fathoms created the 1950s atomic monster movie. Them’s particular spin was to create the giant bug film. Unlike the B movies that followed, it is played with realism and sober conviction
Highway 61 (1991)
Director Bruce McDonald and writer/star Don McKellar make an hilariously eccentric road movie as McKellar takes a trip down the title route with a dead body while pursued by The Devil
The Crow (1994)
Overshadowed by the tragedy of star Brandon Lee’s death on set, this is a beautifully dark and glistening Gothic tale of a murdered youth revived from the dead to attain vengeance against his killers. Several lesser sequels followed
American Psycho (2000)
Mary Harron takes on Bret Easton Ellis’s controversial work about a yuppie serial killer and refines it to a blackly funny satire on 1980s pop culture and corporate greed
Futureworld (1976)
Sequel to the original Westworld. Here the cleverness of Michael Crichton’s film is rehashed as a B movie plot about android takeover conspiracies
Portrait of Jennie (1948)
Classic, exquisitely made weepie romantic fantasy about an artist obsessed with a woman who appears to travel through time
Bedlam (1946)
The last of the classic Val Lewton produced horror films, a work set around the true-life 18th Century asylum lorded over by Boris Karloff where an innocent Anna Lee is committed
The Black Cat (1981)
One of the films from cult Italian director Lucio Fulci. This has almost nothing to do with the Edgar Allan Poe story. With Fulci’s trademark gore sequences tamed, there is not much else for the film to fall back on
Always (1989)
One of Steven Spielberg’s more overlooked and quieter films, a remake of the 1940s guardian angel fantasy A Guy Named Joe. Spielberg never much ignites the love story but the film has some magical moments and a scene-stealing John Goodman
Viva La Muerte (1971)
Obscure film in which director Fernando Arrabal depicts a series of vignettes from his childhood depicting the sadism and cruelty of the Spanish Fascists
Liquid Sky (1982)
Culty New Wave film with Anne Carlisle as a model who has a miniature UFO land on her New York apartment roof where it devours her lovers for the opiate in the brain produced during orgasm
Deep Red (1976)
Another of the giallo psycho-thrillers from Dario Argento in his heyday as David Hemmings is witness to a murder and tries to find the killer. As with Argento’s films of this period, focused around a series of stylish and sadistic dispatches
The 4D Man (1959)
Surprisingly good 1950s film in which scientist Robert Lansing invents a process that allows him to become insubstantial and walk through walls. The effects are very good and this attains some eerie effect
Night Life (1989)
Teen horror variant on the zombie film. Scott Grimes gets a job at his uncle’s morgue only for a lightning bolt to revive his school bullies as zombies.
Hard Target (1993)
John Woo made his US debut with this Jean-Claude Van Damme vehicle, which is essentially an urban version of The Most Dangerous Game. Woo’s stylised action set-ups give a slight script a dynamism that blows his contemporaries away
Society (1989)
The directorial debut for Brian Yuzna, this has a satiric and weirdly paranoid tone but what makes the film is its sensational display makeup effects involving a secret society of shapeshifting orgiasts
Shock Waves (1977)
The very first Nazi zombie film, a genre that proven surprisingly prolific since. A modestly effective film filled with great images of dead stormtroopers rising from the surf
The Road to El Dorado (2000)
Good-natured DreamWorks animated film set during the Conquistadors arrival in South America. Aztec culture undergoes some modern rewriting but this remains modestly enjoyable (*)
Brain Damage (1987)
The best film from the great and underrated Frank Henenlotter about the relationship between a man and a parasite in his brain that feeds him drugs to make him go and kill
Manhunter (1986)
The very first Hannibal Lecter film. Under Michael Mann, this comes with a stylistic flourish very different to what the films became when Anthony Hopkins took the role
Batman (1989)
The origins of the dark brooding superhero on film. Tim Burton borrows from the graphic novels of the era and gives us a beautiful, stunningly designed film that digs deep inside the psychological recesses of the masks and funny faces
Barbarella (1968)
Charmingly capricious and silly adaptation of the comic-strip with a wide-eyed Jane Fonda as the spacegoing heroine. Filled with some wonderfully naughty gags and a production and costume design scheme that goes to a gorgeously deranged excess
Battle for the Planet of the Apes (1973)
The fifth and final of the original Planet of the Apes films. After four well worthwhile entries up to this point, a tired air infects this production as it assembles the elements in a haphazard clutter
The Curse of the Werewolf (1961)
Hammer Films offer their take on the werewolf film starring a young, unknown Oliver Reed. Director Terence Fisher creates a lush film rich in symbolism, made with the full weight of Hammer’s production values
Final Destination (2000)
James Wong and Glen Morgan make their film debut here. This spins the old plot about a clairvoyant dream of an airline disaster as a teen horror film based around a series of bizarre novelty deaths. This was the first in a series of popular horror films.
Deterrence (1999)
Thriller with Kevin Pollak as the US President caught at a diner by a blizzard where he is faced with the choice of launching a nuclear war on Iraq
Village of the Damned (1960)
Classic adaptation of the John Wyndham novel about the women in a sleepy English village being impregnated and producing emotionless alien children with vast psychic powers. This translates the paranoia of US alien invasion films with considerable effectiveness
The Nutty Professor (1996)
Remake of the Jerry Lewis film is a comedic tour-de-force for Eddie Murphy as he swings between a shy 400 lb professor and a manic, testostoronally charged health junkie